The Underminding Of The Canada Health Act Essays -

The Underminding Of The Canada Health Act The Undermining of the Canada Health Act Research Assignment The Undermining of the Canada Health Act By Thomas W. McIntyre A paper submitted in Partial Fulfillment of the Requirements for HSC 401 Health Care Administration Baker College November 9, 2000 This paper is an overview of the Canadian Health Care system, and the Canadian Health Care Act. Below I discuss topics that are concerns for people under this system, which include the following: The Evolution of Canadian Health Care Universality and Accessibility vs. Choice Decreasing Cost vs. Non-Profit Efficiency and Quality Implications for Nursing Practices The Future of Canadian Health Care This paper will also point out strengths and weaknesses in the Canadian Health Care system. With covering the above topics It is my intention for the reader to have an understanding of how the Canadian Health Care System functions, and what can happen in the near future. In the past, Canadas government-funded, universally accessible, health care system has been praised and admired both at home and abroad as one of the finest in the world. A great source of pride and comfort for many Canadians is that it is based on five fundamental principles. Principles that are a reflection of the values held by Canadian citizens since the formation of Medicare in 1966. These principles were reinforced in the Canada Health Act, (CHA), of 1984 according to Gordon, Mintz and Chen (1998), state that the Canadian system is universal, accessible, portable, comprehensive and non-profit. With increasing concerns of debts and deficits, Canadas publicly funded health care system has recently become the target of fiscal attack. Efforts to reform and restructure the system have produced few results. Currently, some Government officials throughout the country are looking towards a more radical approach. An approach that would see not only the reform and restructuring of the method of operation of the current system, but that would change the system entirely. The proposed idea? In provinces like Alberta, Ontario, and Nova Scotia, The Canadian Government is looking into increasing the role of the private sector in the current health care system. On December 29th, 1999, Nancy MacBeth leader of the Alberta liberal party was cited in the Edmonton Journal as saying: Theres ample evidence that the Alberta governments plan to expand the role of private health-care will contravene the Canada Health Act. This is the strongest argument against privatization. It reflects the fears of many Canadians, the fear that a two-tier system similar to that of the United States will develop. The fear that the system, which was built upon values, reflected in five principles will be eroded and replaced and that they w ill be the ones left to suffer the consequences. According to Wilson (1995), Privatization of health care would undermine the principles of the Canada Health Act and as such would undermine the integrity of the Canadian Health Care system. The Evolution of Canadian Health Care In 1966 one of Canadas most prided achievements to date was introduced to the Canadian Health Care system, and that was the implementation of Canadian Medicare. This new program of Medicare was a daring and innovative concept pioneered by Canadians for Canadians, Armstrong and Armstrong (1996). It revolutionized health care. Canadians overwhelmingly supported the new system as it reflected their values and the import they placed on universality and equal access to health care. Now, in the beginning of the new millennium, the ideals of the same system are in jeopardy. Canadians are at present feeling the effects of the restructuring of health care. Accessibility and quality are being threatened due to cutbacks coupled with a lack of funding. There is a consensus now between medical professionals, the public, and the government that the health care system is deteriorating. It is failing to provide the quality of care promised in the Canada Health Act (CHA), and prided by so many Canadians. Due to the government restructuring the strings on the public purse continue to tighten. Transfer payments from the federal government continue to decrease as provincial debt loads increase. And, although the Canadian minister of health and premier assured the Canadian public that the costs of health care were doubling or even tripling, People from the providences

JD Salinger biography essays

JD Salinger biography essays Born Jerome David Salinger on January 1, 1919 in New York City, New York, only son to Sol and Marie Salinger. Very little is known about Mr. Salingers personal life, as he is a firm recluse currently living alone in a cottage in Cornish, New Hampshire, and is insistent on keeping information about himself private. What little is known about him, however, is rather interesting. As a child, Mr. Salinger lived in Manhattans Upper West Side in New York. He attended a few private prep schools, each of which he dropped out of for his failing grades. As a teenager, he attended Valley Forge Military Academy in Pennsylvania. Rumor has it that the idea to attend the academy was his. For college Mr. Salinger attended, briefly, New York University, which he left for refusing to apply himself. He also attended Ursinus College and Columbia University, where he wrote and had published his first work, The Young Folks. For eight years following that publication, Salinger suffered through rejection after rejection by the magazine the New Yorker, until the submission of, A Perfect Day for Bananafish in 1948, which flew through the reviews and checkpoints of the magazine staff. The only exception to this was the publication of, Slight Rebellion Off Madison, which ground through the New Yorkers works before being approved two years prior. For the next two years after Bananafish, Mr. Salinger published numerous short stories in the New Yorker as well as a couple of other magazines. The single most important work of Mr. Salingers career was the publication of The Catcher in the Rye in 1951. The success of the novel was so overwhelming it may have been what caused him to isolate himself from the public eye, but he always was a bit of a loner, and seemed headed towards seclusion anyway. Because of the mystic surrounding him, many reporters and fans of Mr. Salinger have wri...

Megamusicals of Andrew Lloyd Webber Essay Example | Topics and Well Written Essays - 5000 words

Megamusicals of Andrew Lloyd Webber - Essay Example Musical Theater is an art form that combines the basic elements of speaking, acting, singing and dancing. It is a play that may have all the four elements together in varying proportions or it may utilize pure singing and dancing only and is considered as pure-music or sung-through form. Jesus Christ Superstar, Evita, Cats and Phantom of the Opera are almost sung-through musicals, a trademark of composer Andrew Lloyd Webber. When story and music are put together, the synthesis is an extremely powerful, expressive and stimulating work of art that is very effective in communicating a message and eliciting a warm response from the audience. All the ingredients of a story including the setting, characters, the plot, the conflict, the resolution and the message contribute to make a good story. It provides a time and place which may be real or imaginary; while a real-life setting is determined by historical facts, an imaginary setting however can make a story very interesting. Jesus Christ Superstar and Evita are based on real-life persons and events while Cats and Phantom of the Opera on fictional stories. A story also provides characters whose personalities, background and visions become the basis of songs. Information about the character becomes the source of the content of the lyrics and the basis of the styles to be used for the music. In Webber's musicals, songs have been written for and about the characters like Jesus, Mary Magdalene and Judas in Jesus Christ Superstar; Old Deuteronomy, Grizabella and Macavity in Cats; Evita, Juan Peron and Che in Evita and the Phantom, Raoul, and Christine in The Phantom Of The Opera.2 A story also layouts the plot, that is, the series of events arranged in a logical sequence and meaningful format that progresses interestingly to bring a clear conveyance of the musical's idea. The plot provides the structure or outline for the sequencing or ordering of songs and music for the musical while the context of the scene helps the composer to determine the type of melody, rhythm, tempo, dynamics or style of music to be used to suit the scene. Considerations like whether to use vocal or instrumental music, solo or choral; sad or happy music, for example, are influenced by the nature and meaning of the scene. Webber is very successful in this aspect which may be appreciated in some of his works especially in his musical Jesus Christ Superstar.3 The conflict is the core of a story, for without it a story becomes uninteresting and unrealistic. Human life is full of conflict and it is this aspect of a story which people relate and respond to. It is then a rich source of material for lyrics and music; conflict leads to the composition of intense songs and powerful music. Webber's song "I Don't Know How To Love Him" and the Overture of Jesus Christ Superstar are just some of his great works that manifest conflict. The resolution of conflict in a story is also a source of material for score writing. Conflict resolutions create wonderful, victorious and inspiring song and music. "Hosanna" and "Superstar" are examples of inspirational songs written by Webber.4 Lastly, the message of the story is a very important source of material and content for the making of song and music for a musical. A story without a message is useless and a song without a message is devoid of significance and meaning. Webber's musicals have great meanings and messages including love for fellowmen, romantic love, love for country and love for life. His musicals contain deep values like hope, love and loyalty.5 In musical theater, the Story is the ingredient that provides meaning and essence. It is the core and substance that endows the musical its development and evolution. It is the component that carries the message to the audience in a forward movement and making the play comprehensible; it is the constituent of the musical play that makes the mind think. Because of the story, actors and actresses have something to say, act, sing